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August 22, 2005
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"So, what's your major?"
Next to "What's your name?" and "Where do you come from?" that previous question is one of the things that you'll hear fairly often in college as one of your basic getting-to-know-you pleasantries.
Yet, as simple as the answer to this question may be, deciding on a major is a potentially irksome and harrowing decision that you will have to make on your own.
Undoubtedly, you've got friends and family telling you what you should study in college. An aunt notices you've got a knack with fixing things and pushes you to get a degree in engineering, or your mother is goading you to take pre-law since she thinks that your propensity for arguing with her about everything under the sun makes you especially apt for a career in the judicial system.
[Read article]
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· Mailbag |
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Latest Issue: August 8, 2005
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When people say a film is independent, this is not always indicative of a
particular style or genre, but merely a limited budget and release. But in the
case of "Me and You and Everyone We Know," there is no other real way to
describe it. It is a quintessential independent film, and it is unlike any
other.
The story for "Me and You and Everyone We Know" is original and offbeat and
does not follow the conventional rules of screenwriting that most writers
follow. Writer/ director Miranda July stars as Christine Jesperson, a starving
artist who drives old people around to earn a living. She is struggling both
artistically and romantically and is desperately trying to save her own life. [Read
article]
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