Arizona Daily Wildcat
Wednesday May 8, 2002
Movies
By Sanders Fabares & Mark Betancourt
ãMonsterâs Ballä
Sadly, it wasnât a flashy film and went unnoticed by most until the Oscars. The acting was exceptional and the story inspirational. Halle Berry showed us all that she has more than just a nice body. She deserves every ounce of that award.
ãMonsoon Weddingä
After seeing this movie, viewers feel as if they have grown up with the characters. Submerging the audience into the turmoil of an Indian wedding, the film is completely engrossing. If it had been finished a little sooner, it would definitely have been up for the Oscars.
ãThe Lord of the Rings: The Fellowship of the Ringä
As one of the pioneers of the modern fantasy novel, Tolkienâs trilogy is on a pedestal of its own. What could potentially have been a terribly disappointing film seemed to impress all who saw it, making the world of Middle Earth come alive.
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ãMulholland Driveä
Itâs always difficult to make a coherent, solid film. To make one that is utterly unintelligible, yet totally mesmerizing, is near impossible. Lynchâs movies are like morbid paintings, which inspire conversations and confusion for weeks after seeing them. You either loved this movie or walked out after the first 10 minutes.
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ãTraining Dayä
Although the ending was a little disappointing, the film had me on the edge of my seat the entire time. It didnât pull any punches (at least I donât think it did) in its portrayal of inner-city crime and race relations. Never has a movie given me this sense of urgency and fear. I loved Ethan Hawkeâs character, but Denzel is worth his weight in gold.
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ãThe Brotherhood of the Wolfä
Now here was a weird movie. Imagine a cross between ãThe Last of the Mohicansä and ãThe Matrix,ä and you have ãThe Brotherhood of the Wolf.ä This French film had a huge budget, elaborate design and was beautifully shot ÷ truly an example of how the cinematic grass is always greener on the foreign side. Cheesy at times, but fun.
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ãWaking Lifeä
Whatâs most interesting is this filmâs look: floating sections of animation painted right onto live-action celluloid. While viewers might have to check their attachment to plot at the door, the filmâs sense of calm and its sensory approach to lifeâs deepest questions deliver a new and refreshingly beautiful film experience.
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ãBlack hawk Downä
This film shows that producers are still interested in making huge films the hard way. In the midst of George Lucasâ descent into computer-generated madness, itâs good to see that producer Jerry Bruckheimer is willing to make a movie about war by actually staging a war. If only MSNBC could have director Ridley Scottâs knack for objectivity.
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ãThe Time Machineä
H.G. Wells could never have imagined what a cool movie his little book would become. Remakes fail like Firestone tires these days, but this one makes an exciting yet thoughtful ride through time out of a pretty stuffy old novel.
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ãMonsters, Inc.ä
Not only is computer animation looking better all the time, itâs getting more and more fun. Clever humor and a perfect blend of playfulness and sentimentality make this film great from start to finish. The outtakes at the end are so much fun the theater parking lot looks like hell for grownups.
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Shows
JON HELGASON/Arizona Daily Wildcat
Phantom of the Opera had its gala premiere April 11 at Centennial Hall. In this scene from ãThe Music of the Night,ä Ted Keegan stars as the Phantom and Rebecca Pitcher portrays Christine Daae, the Phantomâs love.
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By Kevin Smith
ãPhantom of the Operaä
ãItâs the longest weâve ever had a show,ä said Tara Kirkpatrick, publicist for UApresents. ãIt was our biggest show.ä Throngs of spectators swarmed to see the masked man and his female fascination warm to each other within the quaint walls of Centennial Hall this spring. Billboards displaying the famous mask were put up all over town to advertise the Tucson run of the renowned love story, not to mention the gigantic chandelier that just about shatters itself on the audience. Where does he get those wonderful toys?
ãAIDAä
The Tony award-winning ãAIDAä visited Centennial Hall in January, minus an appearance by ãRocket Manä Elton John. The story of ãAIDAä deals with a love triangle between two princesses and one soldier. It doesnât seem like the soldier could go wrong with either choice, especially when he is singing tunes written by the team of John and Broadway veteran Tim Rice.
RenŽe Fleming
Grammy award-winning soprano vocalist Fleming stopped by the Old Pueblo March 14 to flex her glass-shattering pipes. She was described by the New York Times as comparable to Luciano Pavarotti and Birgit Nilsson in their heyday, and was named one of People magazineâs ã25 Most Intriguing Peopleä in 2000.
ãNeil Goldbergâs Cirqueä
Fans of Barnum and Bailey might have been blindsided by the name if they bought tickets to this nŸ-circus troupeâs performances. The show featured traditional jugglers, aerialists, muscle men, clowns and mind-bending contortionists, all done with a French twist. Although the show did not incorporate an elephant, it did feature 24 of the worldâs most flexible artists combining for a completely new take on the circus experience.
Los Lobos
The Grammy award-winning Mexican-American folk heroes made a big splash in Tucson Aug. 26, beating out fellow Centennial visiting rock vets The Black Crowes and the NutraSweet powers of Sugar Ray to land at No. 5 on this yearâs chart. The group was founded in 1973 in East Los Angeles, but didnât gain major commercial recognition until the 1987 box office goliath ãLa Bamba,ä which featured Lou Diamond Philips lip-synching covers of old Ritchie Valens songs that actually were performed by Los Lobos. The group was so smitten with Lou ãThe Diamondä Philipsâ portrayal of the 1950s tragic teen superstar that they let him mouth the words and pretend to strum a guitar in their 1987 music video for ãLa Bamba.ä Now thatâs entertainment.
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